“Doomed Romance in Movie Portrayals”

Nomin Bilegdemberel
9 min readNov 1, 2023

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Romance, a perennial theme in storytelling, often explores the complexities of human relationships. Oftentimes, romance is the only way to truly explore the fragility of human nature, their lust, desire, and harsh realities. In the films “La La Land,” “Blue Valentine,” and “500 Days of Summer,” the portrayal of doomed romance delves into the intricacies of love, the inevitable struggles, and the delicate nature of relationships. These films dissect the notion that love doesn’t always triumph, and in doing so, they present a raw, unfiltered look at the complexities, failures, and heartaches that accompany romantic connections. In the end, love isn’t as beautiful as it may seem.

La La Land

“La La Land,” directed by Damien Chazelle, showcases the love story between Mia and Sebastian, two aspiring artists in Los Angeles. The film’s grandeur and whimsical musical narrative initially paint a picture of romantic idealism. However, as the story progresses, the dreamy facade begins to crack, revealing the harsh realities of chasing individual ambitions and the sacrifices demanded by personal success. The climax presents a heart-wrenching montage where both characters, despite their profound love, ultimately part ways to pursue their dreams. The film masterfully portrays the bittersweet truth that sometimes, love alone cannot overcome the diverging paths that life sets for individuals.

This is a cinematic masterpiece that intricately portrays the trajectory of a doomed romance between Mia and Sebastian, set against the backdrop of Los Angeles. This film interweaves music, dance, and a dreamy narrative to portray a love story that succumbs to the pressures of individual ambition and the harsh realities of life.

The film’s opening sequence, featuring the song “Another Day of Sun,” sets an exuberant tone, emphasizing the dreams and aspirations of the characters against the vibrant backdrop of LA. Mia, an aspiring actress, and Sebastian, a jazz musician with dreams of owning his own club, initially find solace in each other’s passions. Their love blooms in the midst of shared dreams and mutual encouragement. One might even argue that their burning passion for success might’ve been the sole reason they were attracted towards each other. Mia saw the struggling yet extremely talented artist Sebastian and in that instant, she saw a reflection of herself in him.

However, as their careers take off, the couple faces the inherent conflict between their personal ambitions and their relationship. Sebastian’s dedication to his traditional jazz ideals clashes with the compromises he makes while working in a successful but artistically unfulfilling band. This raises the question, “He seized the fame, the glamorous life of being successful in LA, but at what cost?” Simultaneously, Mia’s relentless pursuit of her acting career leaves her feeling isolated and neglected. Mia, feeling less support from her partner in her journey, starts to notice how he is growing to be a different person than the one she met. In the end, she fell in love with someone who’s passionately burning for jazz music, not someone who sold their passion for a comfortable life. Mia, someone who’s still trying to climb the stairs of her passion, starts feeling overshadowed by Sebastian’s success. Yet, at the same time, she also judges his character for having chosen the path he took.

The turning point in their relationship is captured in the emotionally charged scene at the dinner table. A conversation turns into a heated argument, where their frustrations and unmet expectations come to the surface. Sebastian’s compromises and Mia’s disappointment in their diverging paths become glaringly evident, leading to a poignant rift in their relationship.

The sequence of events following Mia’s triumphant audition brings forth the heart-wrenching realization that their dreams and love might not align. The beautifully choreographed ‘what-could-have-been’ montage showcases an alternate reality where their relationship thrives, underlining the poignant truth that timing and personal aspirations play a crucial role in the fate of their romance.

The film’s final act, set in the jazz club Sebastian once dreamed of owning, sees the bittersweet reunion of Mia and Sebastian. Their wistful smiles and the shared acknowledgment of their divergent paths express the deep affection they hold for each other despite not being together. In the end, who can argue the inevitable fact that they helped each other grow?

“La La Land” meticulously crafts a doomed romance by portraying the stark contrast between the idealism of love and the inevitability of life’s practicalities. The film masterfully conveys that, despite a profound connection, love alone cannot always overcome the conflicting aspirations and ambitions of individuals.

Through the impeccable direction, cinematography, and poignant storytelling, “La La Land” serves as a reflection on the fragility of relationships, the sacrifices demanded by personal success, and the poignant reality that not all love stories are destined for a fairy-tale ending.

The film’s hauntingly beautiful musical score and stunning visuals underscore the melancholic yet realistic portrayal of doomed romance, resonating deeply with audiences, inviting them to contemplate the complexities and uncertainties inherent in love and life.

Blue Valentine

“Blue Valentine,” directed by Derek Cianfrance, takes a markedly different approach to doomed romance. The movie juxtaposes the blossoming love between Dean and Cindy against the stark disintegration of their marriage. The nonlinear narrative interlaces the joyful beginnings of their relationship with the devastating unraveling of their marriage. The film meticulously dissects the gradual erosion of their bond, exposing the inherent flaws, unmet expectations, and the sheer weight of everyday life that suffocates their love. The raw authenticity of their struggles and the inability to reconcile their differences underlines the harsh reality that not all love stories are meant to endure.

“Blue Valentine” offers a raw and intimate portrayal of a doomed romance, focusing on the gradual disintegration of the marriage between Dean and Cindy. The film employs a non-linear narrative, juxtaposing the early days of their relationship against its eventual unraveling, highlighting the inevitable decline of their love.

The initial stages of their romance are depicted with youthful passion, showcasing the budding love and hopefulness between Dean and Cindy. However, as the film transitions back and forth between the past and present, the stark contrast between the joyous beginnings and the desolate present becomes palpable.

One thing to note is their use of camera lenses. In their early stages of love, they’re shot in wide camera angles, with bright and inviting warm colors, the two of them usually in the same shot. It can give the audience the feeling of them being “together,” whereas the extremely contrasted reality of the relationship towards the end rarely captures them being together in one shot. The scenes turn into blue, uninviting cold colors, zoomed in shots, less room to breathe for the characters. Physically together, but no longer in love.

The fragmented narrative allows viewers to witness the decline of their relationship through various flashbacks, contrasting the couple’s initial spark with their eventual disillusionment. The scenes depicting their early courtship and the birth of their child brim with love and promise, while the present-day sequences portray the strain, resentment, and unmet expectations in their marriage. Cindy’s stable and grounded personality turns into indifference, while Dean’s fun and easy-going nature starts to be depicted as immaturity and laziness. Their perception of happiness fundamentally changes. For Dean, being a father and a husband is more than enough, something he started treasuring more due to his lack of familial ties throughout his childhood. On the other hand, Cindy, having grown up in a troubled household, prioritizes stable and physical accomplishments such as career more than a proper family.

One pivotal scene occurs during their stay at a themed hotel. As they attempt to reconnect and recapture their lost intimacy, their efforts ultimately lead to a heartbreaking and futile confrontation. While Dean is trying to revive their love with the promise of a growing family, Cindy realizes that family is not something she wants out of life. The divide between them becomes evident as unresolved issues and unspoken grievances resurface, further emphasizing the irreparable damage within their relationship.

Throughout the film, the contrast between the past and present offers a poignant insight into the decay of their marriage. The disillusionment, miscommunication, and unfulfilled dreams gradually corrode the foundation of their once-promising love, exposing the harsh reality that not all love stories endure the test of time.

The film eschews a traditional happy ending, choosing instead to present a brutally honest depiction of the demise of a relationship. There is no reconciliation or resolution, as the narrative leaves the audience with a somber realization that not all love stories are destined for eternal happiness. Just like the fireworks in the closing scene of the movie, their love was brief, strong and quickly fading into the sky.

Cianfrance’s direction and the film’s cinematography underscore the poignant moments and underlying tension, creating an emotionally charged narrative that resonates with its audience. “Blue Valentine” serves as a stark reminder that even the most intense love can succumb to the weight of unmet expectations, communication breakdowns, and the inescapable passage of time, resulting in the tragic dissolution of what was once a promising romance.

500 Days of Summer

“500 Days of Summer,” directed by Marc Webb, subverts the traditional romantic narrative by deconstructing the idealization of love. Through the eyes of Tom, who falls for the seemingly perfect Summer, the film dissects the misconceptions and false expectations individuals place on relationships. The nonlinear storytelling method accentuates the disparity between Tom’s idealized perception of Summer and the actual complexities of who she is. The film challenges the notion of a ‘happily ever after,’ revealing that even profound love and compatibility might not ensure a lasting union if both parties have different perspectives and desires.

From the outset, the film deconstructs the notion of a perfect, fairy-tale romance. Tom, a romantic idealist, falls deeply in love with Summer, a woman who challenges his beliefs in love. The nonlinear narrative style allows the audience to witness the highs and lows of their relationship without a predetermined trajectory, underscoring the unpredictability and fluidity of love.

Tom’s infatuation with the idea of Summer, rather than who she truly is, sets the stage for their eventual disillusionment. The film subtly questions the idealized perceptions individuals often hold about their partners and relationships. The split-screen sequence depicting Tom’s expectations versus reality during a party epitomizes this, revealing the stark disparity between his romanticized visions and the genuine complexities of their relationship.

Throughout the film, Tom’s pursuit of a ‘happily ever after’ with Summer is constantly contrasted with Summer’s reluctance to commit to a serious relationship. Their differences in expectations and desires become increasingly apparent, leading to their inevitable breakup.

One poignant scene is the breakup itself, which showcases the emotional disconnection between Tom’s perception of their relationship and Summer’s more pragmatic view. It highlights the fundamental misunderstanding and misalignment of their feelings, despite the intensity of Tom’s love for Summer. One might even argue that Tom’s disillusionment constantly gave Summer ‘the ick.’

The film’s conclusion doesn’t provide a traditional ‘happy ending.’ Instead, it concludes with Tom finding closure and a renewed sense of hope after reflecting on his relationship with Summer. The film suggests that while their romantic connection was doomed, the experience contributes to Tom’s personal growth and understanding of love, paving the way for a more mature approach to relationships.

“500 Days of Summer” challenges the conventional romantic narrative by exploring the intricacies of relationships, individual perceptions, and the fluid nature of love. By subverting the expectations of a typical romantic comedy, the film highlights the importance of realistic expectations and personal growth in relationships, illustrating that sometimes, despite the intensity of love, two people may not be meant to be together.

Webb’s direction and the film’s narrative structure skillfully emphasize the complexities of human emotions, providing a relatable and honest portrayal of the fragility of romantic connections. “500 Days of Summer” invites viewers to reevaluate their beliefs about love and relationships, emphasizing the necessity of mutual understanding and personal growth for a relationship to thrive.

In all three films, the portrayal of doomed romance is characterized by the clash between idealized notions of love and the harsh realities of life. They underscore the importance of personal aspirations, changing circumstances, and the inherent unpredictability of human emotions, which can ultimately lead to the demise of once-promising relationships. These films transcend the conventional romantic narrative by daring to portray the imperfections and vulnerabilities within relationships. They serve as poignant reminders that while love is beautiful, it can be fragile and subject to the unpredictability of life, personal growth, and the collision of individual dreams. The beauty of these films lies in their ability to resonate with audiences by presenting a realistic and relatable portrayal of love, heartache, and the inevitable fragility of human connections. So, what you, the reader, say? Is it worth loving even if it wasn’t meant to last? Is it worth to experience love than having never experienced it at all?

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